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Roland | JP-8000 |
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Description | The JP-8000 is a synthesizer which provides not only analog simulations, but also a wide range of functions that utilize the cutting-edge of digital technology to allow real-time sound modifications and playing techniques that have never been possible until now. Easy operation The panel is laid out in sections similar to a conventional analog synthesizer, allowing an intuitive understanding of the parameters and operation. Since the front panel contains controllers for all sound-related parameters, you can press buttons and move sliders or knobs to make the sound change in real-time. Superb performance functions When playing the JP-8000, you can select one Performance from the 64 User Performances that contain settings you yourself create or from the 64 Preset Performances (which cannot be modified). Tltis gives you a total of 128 Performances to choose from. On the JP-8000, the Patch numbers stored in a Performance do not refer to Patches — they allow you to actually store all the Patch settings in the Performance itself. This means that when saving the Performance, it is not necessary to save the Patch settings separately. This also means that even if you rewrite the contents of a Patch that is saved in a certain Performance, other Performances that use that Patch will not be affected. DSP oscillator In addition to conventional waveforms (square, sawtooth, triangle), the new DSP (Digital Signal Processor) oscillator contains four types of complex waveforms that were not possible with analog technology. By controlling individual parameters for each waveform, you can create even more complex changes in the sound. Square wave, sawtooth wave, and triangle wave can also be controlled using their own parameters to create a variety of sovmds. Arpeggiator Four types of arpeggiation are provided: UP, DOWN, UP&IX>WN, and RANDOM. By changing the Beat Pattern, you can modify the accent and note duration etc., allowing you to play arpeggios in a variety of grooves. RPS function for playing back your ov^n patterns RPS is a function that lets you store playback patterns that you create. Tlie recorded patterns are assigiied to individual keys of the keyboard, and can be played back simply by pressing a key. Motion Control for storing slider/knob movements For most of the front panel sliders and knobs, four types of motion (movement) up to 8 measures long can be recorded. By playing hack these motions while you perform, you can create a variety of real-time tonal changes. Ribbon Controller for dramatic tonal changes By sliding your finger to left and right along the surface of the Ribbon Controller you can simultaneously control two or more specified parameters. From brief touches of accent to smooth changes in tone, this gives you immense possibilities for real-time control. Three types of Key Mode Three key modes are provided: Single, Split, and Dual. With a simple operation you can play different sounds in the left and right areas of the keyboard, or simultaneously play two different .sounds from each key. Key Mode settings are stored as part of the Performance. |
| Brand | Roland |
| Model | JP-8000 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | VA |
| Voices (max) | 8 |
| Multitimbral | 2 |
| Oscillators | 2 |
| Noise | Y |
| Engine Detailed | 2 Roland Analog Modeling DSP oscillators: Saw, Square (PWM), Triangle (PWM), Super Saw (7 de-tuned Saws), Triangle Mod, Feedback OSC, noise |
| Filter (VCF) | Resonant 12/24dB/oct low pass / band pass / hi pass; ring modulator ADSR |
| Envelope (VCA) | ADSR |
| FX | Digital delay and chorus |
| Memory | 128 preset patches, 128 user patches, 64 performances, 64 user performances |
| Sequencer | Programmable real-time Phrase Sequencing (RPS) functions |
| Arpeggiator | Powerful vintage-style arpeggiator with beat patterns. |
| Keys | 49 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | N |
| Midi | I-O-T |
| Produced: | 1996 - 1996 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
