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Oberheim | OB-1 |
Description | The OB-1 is a simple and great monophonic synth from Oberheim based on the same synth architecture as the SEM. Released in 1978, it was the first truly programmable analog synth of it's time with 8 program memories. Classic and fat sounding bass & lead synth sounds. Similar in sound and synthesis from the Roland SH-101 to the MicroMoog. It has two analog oscillators and a very capable 2 or 4 pole switchable VCF (filter) that sounds great, and a good LFO that can control the VCA or VCF. This is a very versatile monosynth, especially during its time, and makes an interesting alternative to other more common bass-synths. |
Brand | Oberheim |
Model | OB-1 |
Device | Synth |
Type | Keys |
Engine Type | Analog |
Engine | VCO |
Voices (max) | 1 |
Oscillators | 2 |
LFO | 1 LFO (Square, Sine, Sample+Hold) w/ delay, rate control |
Engine Detailed | 2 VCO's |
Filter (VCF) | 2-pole or 4-pole w/ Cutoff, resonance, key track and cutoff can be driven by LFO or ADSR envelope |
Envelope (VCA) | Standard ADSR envelope |
Memory | 8 patches |
Keys | 32 |
Key type | Keys |
Velocity | N |
Aftertouch | N |
CV-gate | CV/Gate |
Extra info | mk1 - 1978 mk2 - 1979 |
Produced: | 1978 - 1979 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |