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Korg | Delta

Description

Korg's Delta (DL50) is an analog semi-poly synth/string machine, basically a slimmed down version of the Korg Trident. Though limited in the range of sounds compared with other synths of the same genre, the sheer quality of the sound from this little beastie really does make it something of a marvel. It can be found used for cheap and is worth it for the retro synth strings and fat bass synth tones.

The synth is split into two sections, Strings and Synth, for which there are separate audio outputs along with a combined output for headphones or mixing. Each section has its own controls. The String section has two pitch sliders (16' and 8') along with two tone controls (Bass and Treble) and variable Attack and Release controls to modify the sound. The Synth section has four pitch sliders (16', 8', 4' and 2'). There is also a white noise generator along with a very effective 24dB/oct low pass filter (high pass and band pass options are included too) and full ADSR controls. The synth has no memory storage or MIDI, however it does has voltage control and gate ins and outs.

The string sounds are very basic but with its separate outputs and when mixed together with the polysynth you do get that classic 'layered' sound which is useful enough on this synth; and it's fully polyphonic, so you wont be running out of notes! There is a handy joystick to the left of the 49-note keyboard for pitch bending and modulation capabilities. The construction is solid and heavy partly due to the implementation of a wooden base but also because it was designed for heavy usage on the road. Added bonuses: noise modulation, stereo out (strings/synth split), and the ability to combine synth and strings or turn off oscillators in the mixer section.

BrandKorg
ModelDelta
DeviceSynth
TypeKeys
Engine TypeAnalog
EngineVCO
Voices (max)49
Oscillators1
LFO1 LFO: fixed sine waveform
NoiseY
Engine Detailed1 VCO with white noise generator
Filter (VCF)1 VCF: 24dB/oct LPF, HPF and BPF (with Cut off, resonance and env mod amount controls)
Envelope (VCA)1x AR for Strings section, 1x ADSR for Synth section
Keys49
Key typeKeys
VelocityNo
AftertouchNo
CV-gateCV and trigger (In/Out)
Produced:1979 - 1984
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.

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