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Elektron | Octatrack |
Description | More than a sampler Discovering the perfect sample is the start of the process. Then twist it, mess around with it and rebuild it into something uniquely yours. The Octatrack sets new standards for sampling as an art form. Game-changing hardware The Octatrack brings enormous sample processing ability into a machine designed for live performance. It redefines how you transform your sounds, as well as how you interact and play with them. It lets you do things that were previously impossible with a single instrument. Natural born performer Record samples in real time. Add live time-stretching and pitch-shifting. Use the sequencer to control both internal sounds and external MIDI gear. The Octatrack can also be treated as a small mixing desk for your whole setup. The immediate control makes all the difference. Audio mutation The crossfader adds immense depth to your sound. First, choose how you want it to affect your samples. Then nudge the crossfader gently for the most subtle and natural-sounding changes – or knock it back and forth like you’re scratching for rapid and extreme enhancements. |
Brand | Elektron |
Model | Octatrack |
Device | Synth |
Type | Desktop |
Engine Type | Digital |
Engine | Sample |
Voices (max) | 4 |
Oscillators | 4 |
LFO | 6 |
Sampler | 24 bit, 44.1 kHz |
Filter (VCF) | 12dB Slope (2-pole), 24dB Slope (4-pole) |
Envelope (VCA) | ADSR |
FX | 2 effect blocks with individual effects. Track 8 can be used as a Master Effect Track if needed |
Memory | 256 patches, 16 multisets |
Sequencer | Up to 64 steps per pattern |
Recording | 8 Audio (intern) and 8 Midi tracks (external) |
Keys | 16 |
Key type | Buttons |
Velocity | N |
Aftertouch | N |
Audio | Stereo I-O |
Midi | I-O-T, USB |
Produced: | 2011 - 2017 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |