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Casio | FZ-10M |
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Description | The FZ-10M is the rack-module version of the FZ-1 with 2MB internal memory and XLR inputs and outputs.
The Casio FZ-10M is an impressive sampler/synthesizer keyboard from 1987. Its offerings at the time were very professional features. In an 8-voice polyphonic synthesizer you get a 16-bit digital sampler with variable 9kHz to 36kHz sampling rates. 2MB could provide a maximum time of almost 2 minutes sample time at 9kHz. Up to 64 samples can be held in memory and placed across the keyboard. Graphic editing on the big LCD screen provides intuitive and easier editing of your samples with tuning, truncating, looping and much more. It also has eight outputs and analog-like 8-stage filters (DCF) and envelopes (DCA). Surprisingly the FZ-10M also has a built-in synthesizer section. It uses digital synthesis employing both harmonic additive synthesis and waveform drawing. Basic waveforms available include sawtooth, square, pulse, double sine, saw/pulse, random waves and 48 harmonics. |
| Brand | Casio |
| Model | FZ-10M |
| Device | Synth |
| Type | Rack |
| Engine Type | Digital |
| Engine | VA |
| Voices (max) | 8 |
| Multitimbral | 8 |
| Oscillators | 2 |
| Noise | Y |
| Engine Detailed | Digital synthesis employing both harmonic additive synthesis and waveform drawing. Basic waveforms available include sawtooth, square, pulse, double sine, saw/pulse, random waves and 48 harmonics. |
| Sampler | 16-bit, 9kHz - 36kHz variable sample rate; Sample-time: 116 seconds max. at 9kHz, 39 seconds at 36kHz |
| Filter (VCF) | DCF 8-stage Filter |
| Envelope (VCA) | DCA 8-stage Envelopes |
| Memory | 2MB internal, 3.5"HD |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Midi | I-O-T |
| Produced: | 1987 - 1987 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
