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Casio | FZ-1 |
Description | The Casio FZ-1 is an impressive sampler/synthesizer keyboard from 1987. Its offerings at the time were very professional features. In an 8-voice polyphonic full 61-note keyboard synthesizer you get a 16-bit digital sampler with variable 9kHz to 36kHz sampling rates. 1MB of memory expandable to 2MB could provide a maximum time of almost 2 minutes sample time at 9kHz. Up to 64 samples can be held in memory and placed across the keyboard. Graphic editing on the big LCD screen provides intuitive and easier editing of your samples with tuning, truncating, looping and much more. It also has eight outputs and analog-like 8-stage filters (DCF) and envelopes (DCA). Surprisingly the FZ-1 also has a built-in synthesizer section. It uses digital synthesis employing both harmonic additive synthesis and waveform drawing. Basic waveforms available include sawtooth, square, pulse, double sine, saw/pulse, random waves and 48 harmonics. The Hohner HS-1 is a German version of the Casio FZ-1. Only its case is light in color. |
Brand | Casio |
Model | FZ-1 |
Device | Synth |
Type | Keys |
Engine Type | Digital |
Engine | VA |
Voices (max) | 8 |
Multitimbral | 8 |
Oscillators | 2 |
Noise | Y |
Engine Detailed | Digital synthesis employing both harmonic additive synthesis and waveform drawing. Basic waveforms available include sawtooth, square, pulse, double sine, saw/pulse, random waves and 48 harmonics. |
Sampler | 16-bit, 9kHz - 36kHz variable sample rate; Sample-time: 58 seconds max. at 9kHz, 14.5 seconds at 36kHz |
Filter (VCF) | DCF 8-stage Filter |
Envelope (VCA) | DCA 8-stage Envelopes |
Memory | 1MB internal expandable to 2, 3.5"HD |
Keys | 61 |
Key type | Keys |
Velocity | Y |
Aftertouch | Channel |
Midi | I-O-T |
Produced: | 1987 - 1987 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |