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Casio | CZ-230S |
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Description | A wolf in sheep's clothing, the CZ-230S uses exactly the same synthesizer technology as the CZ-101, mini keys included. But a few things give it more of a 'home' keyboard type image; firstly it had a built-in speaker; secondly it had 99 preset sounds with no way of editing them (only four of the sounds in the sound bank could be programmed by linking the synthesizer to a computer via its MIDI port). However it had a built-in programmable drum machine (from the Casio RZ-1) and sequencer (step and realtime) which almost made it a workstation before its time. Midi in/out/thru was undoubtedly a first for a 'home' keyboard. |
Brand | Casio |
Model | CZ-230S |
Device | Synth |
Type | Keys |
Engine Type | Digital |
Engine | PD |
Voices (max) | 8 |
Multitimbral | 4 |
Oscillators | 2 |
Engine Detailed | 2 DCO using Digital Phase Distortion Synthesis |
Memory | 100 prestes |
Keys | 49 |
Key type | Mini keys |
Velocity | No |
Aftertouch | No |
Midi | I-O-T |
Produced: | 1986 - 1986 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |