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Behringer | UB-1 |
Description | Uli Behringer, the company’s founder, was committed to music and technology from a very early age, and had constructed a synthesizer (the UB-1) by the age of 16. Uli Behringer's describes the UB-1: When I was a young kid, I built an electric piano/synthesizer called the UB-1. The synth had two analog oscillators and a filter that was so unstable that at times it acted as an oscillator - and this was not by design. The keyboard and the massive toggle switches on the right side came out of an EKO organ that didn't survive the impact of my screwdriver. The UB-1 was nothing great by today's standards but I believe it is this very keyboard that sparked off my passion for music and electronics and later got me into this wonderful industry. Unfortunately the UB-1 got lost during a factory move and for the past 40 years I always wanted to build a synthesizer again. |
Brand | Behringer |
Model | UB-1 |
Device | Synth |
Type | Keys |
Engine Type | Analog |
Engine | VCO |
Voices (max) | 12 |
Oscillators | 2 |
Sub | 1 |
Engine Detailed | 2 VCO |
Filter (VCF) | 1 |
Envelope (VCA) | 1 |
Keys | 61 |
Key type | Keys |
Velocity | N |
Aftertouch | N |
Extra info | 1 unit made |
Produced: | 1977 - 1977 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |